I am converting one of the bedrooms on my second floor into
a home office, moving my desk down from the 3rd floor which is not
centrally heated/cooled. In the process, I’m trying to filter through my desk
and purge. There is simple purging, like the junk drawer where you throw out
broken rubber bands and dead batteries. And then there is complex purging,
where each item triggers a memory or requires review before being sorted. The
office is a complex purge.
I was filtering through my (sadly expired) passport and
other important documents, and happened upon my home’s title work. I never
looked it over when I bought the house. Mid-divorce, I just threw it into a drawer
and was pleased as punch to have closed my loan. Yesterday I took a little time
to peak into the lives of the previous owners of the Waveland Addition Plot 18.
When the Waveland Addition was commenced, it was on the edge
of Des Moines, the cusp of urban and rural. Now I’m in what is considered Des
Moines West, with a bevy of suburbs continuing miles further west of my home.
In 1913 when the lot was plotted, I was the frontier, baby. I found an ad on
the back of the original title touting the charm of my ‘hood and its delightful
new school, Hubbell, where my daughter attends 4th grade today after
its 100th year celebration.
The original plot was purchased in 1913 by Ms. Julia
Kennedy. There were instructions on the title that she must build a home worth
$2,500 at minimum on the property and it needed to be X feet from the street. I
love the expansive nature of this basic guideline. In today’s subdivisions, you
can only have one of six home models, park 1.5 cars in the garage only (never on
the street), and have a blue or brown door to identify your home from your
neighbors. Not red. Red is outside the allowable color pallet the association will enforce. Julia had free
reign with her budget to dream up whatever home suited her fancy.
Sadly, she didn’t build on my land. She sold it to E.W. and
Harriet Dobbs, who built my Craftsman, finishing title on it in May 1916. Isn't it a charmer?
Julia
was the last single woman to own this space until June 2006 when I took
possession. I am the 7th owner on file of my 1916 Craftsman. The two
previous owners ended their ownership of my home in divorce. I moved here as a shelter from the storm of my own divorce.
Rather than being a place of broken dreams I’d leave behind,
this home has been a cocoon for me. I took my own broken dreams and wishes for “living
truth” and found myself at Plot 18. If you have ever lived a life that wasn't
true to yourself, that felt like faking it, or wearing clothes that never ever
fit, or simply felt like your outward facing self was a lie to what hid neglected within,
you get why I wished to live my truth. The greatest lies are told in silence to
ourselves. That I could stick it out in my marriage. That being so incredibly
lonely in a marriage was at all copacetic. That my daughter needed married
parents more than an example of true love (of self in this instance) to base
her self worth and future upon. As I mentioned in a previous post, I didn't
file for my divorce. I just rejoiced after the fact.
Many truths I discovered early on following my divorce were
incredibly painful. Sometimes when the veil drops, the reality is quite ugly to
accept. The journey is still underway, and nothing is certain. But I’m beyond
grateful to tell you that I am more me, more truth, than I have ever been. And
my world has never been more lush with blessings, 1916 Craftsman and all.
Move day: July 4th weekend, 2006. Do you see the
hope in my eyes? The joy in Aria? That it’s move day and I’m in a dress and
flipflops? I told you I was a dress girl.
This house has been a blessing for us. I’m so grateful to have
stumbled upon Plot 18.
This song feels like my world before the move. Pre-divorce.
It is a sharp contrast to the walls I live within now. It is one of those songs that
makes me wish I could play guitar and write lyrics half so
beautiful as Jackson's. It is a favorite.
I have been in the middle of a full-on, solid Jackson Browne-Warren Zevon-Stevie Nicks-Doobie Brothers phase for a couple of months that is so . . . so . . . I don't even know what to call it or how to describe it. Solid, earthy, feet-on-the-ground music. Memories of attending a sales conference as a "date" in an outfit borrowed from one of the stunningly stylish women I nannied for, and being compared to Stevie a la "Stand Back" twirling video. I don't think any compliment received since has meant as much . . . . :) (It was the early 90s - that's all the excuse I can offer.)
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